Eventually， I'd like to say thanks to those who keep supporting me， Group Yuewen， my editors and my readers. There could always be something unpredicted in the future， so please allow me to express my appreciation and sorror here in advance.
Thanks to domestic cartoonists Beixiang and Jileniao， I could own their describing styles as my favourate， whose works， Scarlet Anna， Beyond the Clouds and Theme World， keep me a framework as well as a white shock.
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ありがとうございます。
SoF，Personality of Mimicry， 2017.
感激海内漫画家北巷、极乐鸟，两人的叙事气势我非常喜好；《绯色安娜》、《云海之上》和《主题天下》一向是我铭记于心的故事范本，耐久以来都不失为纯真的打动。
And the whole creators of Final Fantasy VII:Advent Children， whose masterpiece helped me much with the structure a virtual world， had a lifelong effect on my novel.
感激《终究胡想VII：圣子来临》的全部制作职员，这部作品在我构建架空天下观上赐与了我莫大的开导和帮忙，对该作影响深远。
埃斯欧埃夫，《品德拟态》，2017。
感谢。
最后感激一向支撑着我的人们，包含阅文个人、我的责编、以及我的读者们。将来难以预估，在此先行道谢道歉。
The movies， Millennium Actress and Paprika， contributed by Director Satoshi Kon， reminded me to add the techniques of montage and virtual reality to my novel. I'm grateful.
I'd like to appreciate Madam Nancy McWilliams in the US， who introduced a series of wonderful works such as Psychological Diagnosis: Understanding Personality Structure in a Clinical Progress (Second Ediotion) to the world， which benefited me quite a lot and encouraged me to work out this commercial novel to share with the major public that are less attracted academically.